Several weeks ago, I found myself up on a platform standing behind a camera, filming as one our nation’s greatest drag performers took to the stage, showing off her tits to a crowd of ravenous gay men as Rihanna’s “Rude Boy” blared over the speakers. Though I’d seen drag performers before, this was the first time I had attended a full-fledged drag show, complete with a bitchy emcee and a drag queen who thinks it’s cool to look like Pink (newsflash: it isn’t). How did I, a happy resident of the margins of any culture to which I belong in the slightest, end up here?
Months ago, I was contacted by Heather, a eager lover of gay performance art trying to find an editor to help stitch together various pieces of footage she had shot for a documentary about gay performers in the city of Atlanta and surrounding metro area. Though our professional relationship got off to a rocky start, things eventually stabilized when we reached an agreement that I would help her film more footage in exchange for not having to edit. I’ve always found editing rather dull and felt more comfortable behind the obscuring lens of the video camera.
The entire arrangement was somewhat bizarre as Heather’s enthusiasm for the subject was matched only by my apathy towards it. I had never even been to a drag show before and yet here I was, conscripted to go on a video tour of metro Atlanta’s queerest shit ever. Plopping me down backstage at a drag show would be the equivalent of me heading out to an orthodox synagogue for Yom Kippur. I exist on the margins of these cultures, eschewing their tradition and cultural keystones in favor of developing my own little world. It’s a decision I’m mostly happy with and yet, I would soon be confronted with the full otherness of the gay community I never really paid much attention to.
Rare is the man who sees a drag queen duct tape his dick into his ass crack before ever sitting through a full drag show, and yet there I was, camera in hand, backstage at a gay bar in Marietta of all places as a six-foot-three female impersonator took a strip of grey adhesive tape and tucked his junk. Throughout the filming process, I met numerous queer performers throughout the city, from puppeteers to bluegrass musicians to drag queens to poets. However, when it comes to gay people doing something gay on stage for money, drag is the top of the mountain. I quickly learned that Atlanta is a city rich with men in women’s clothing, women in men’s clothing, and men-women in women-men’s clothing, and that there will always be some sad drag queen out there performing as Shania Twain, despite the fact that nobody gives a shit anymore.
One of the performers we profiled–Bianca–provides a particularly interesting look into the life of one of these performers. A male-to-female transexual, Bianca already has boobs and is just waiting for that final psychiatric permission slip to get her manjunk inverted into ladyjunk. For those of you not in the know, before you can get that done, you need to be evaluated by not one, not two, but THREE separate psychiatrists so they can make sure that switching genders would be beneficial for your mental well-being and that you’re not just trying to turn into a reasonable facsimile of Michelle Obama so you can infiltrate the White House to further some nefarious scheme.
Bianca has led an interesting life, first having to come out to her parents as a gay man back in her late teens. Later, she realized that she wanted to live as a woman and had to come out to her parents as a straight woman in a man’s body. Currently, she is dating a lesbian. Her parents have not been informed yet.
But what’s really interesting about Bianca is her attitude towards performing. She’s been a fixture in the drag world for quite some time now, having won National Entertainer of the Year in 2009 (you’ll have to look that up for more details; I’m a lazy blogger). And now, at the top her game, she’s getting out of the business for a nine-to-five and a chance to go back to school. She recently got a job working at the makeup counter at a department store somewhere in the north metro area. It’s a perfect job for a woman who’s had to use cosmetics to disguise herself for more than ten years, but she still laments that she makes less money working forty hours a week at this so-called legitimate job than she does doing a few shows a week at clubs around the city. She’s a compelling performer for sure, so definitively feminine and beautiful that you wouldn’t know she was born with a penis unless someone told you. When I saw her come out on stage, pasties delicately attached to the nipples of her real fake boobs, the audience erupted in the second-most riotous outburst gay men have ever been responsible for since 1969.
But when you talk to her at her home, when she’s not trying to work a crowd, you can see how tired she is. The drag world is a tough one, full of behind-your-back trash-talking from your fellow performers, not to mention the fact that you can only work from ten at night to three in the morning for so long before the exhaustion catches up with you. Add to that the fact that many new faces on the drag scene are willing to work for free when you’re trying to make a living off of it and you can see why she’s trying to get out now while she’s still young.
But when she comes out on stage, the exhaustion of the past ten years disappears. The crowd goes wild for her. And that’s another thing that’s unique to the drag world. What I didn’t realize is that, in many ways, drag performance is sort of a queer reimagining of strip club culture, with one key difference. Gay men line up politely to give the dancer money and then return to their seats without trying to get anything out of it. There’s no expectation that a drag performer will rub his or her crotch in your face in exchange for a few singles. Here are men giving their earnings to performers who are super sexualized despite the fact that it’s not getting anyone off. It’s queer as shit and it’s a extremely bizarre situation that only happens at a drag show. There’s something beautiful and uplifting about it, unless you’re trying to make a living as a Shania Twain impersonator and spend your nights crawling around picking up a few spare dollar bills here and there. As it turns out, it doesn’t matter how gay you are, nobody gives a shit about Shania Twain anymore.
Edit: Despite the fact that the subject matter doesn’t really scratch my scrote, I should mention that the stuff we are getting is so interesting, that it’s at least piquing my interest. The documentary should come along nicely so if any of you know any higher ups at Logo, lemme know.
June 14, 2010
Categories: Uncategorized . . Author: Julian . Comments: 1 Comment